An interesting and one of the few prints that show Batavia how it looked like in the mid-18th century. The Dutch rulers followed the Dutch architactel way of building the houses, roads and canals. The only different was that in Batavia the build sunshades on they buildings. Showing in the print the terrible massacre of the Chinese that occurred in Batavia October 9th 1740, engraved by Adrian van der Laan of Amsterdam. The print shows Dutch troops firing cannon into Chinese houses on the banks of Kali Besar, slaughtering people as they fled their burning homes and waiting in boats to kill those that sought escape in the river; it is estimated that some 10,000 Chinese were killed. The massacre was prompted by tales of Chinese atrocities following the death of 50 Dutch soldiers at the hands of enraged Chinese sugar plantation workers who were protesting about Government repression and the declining sugar prices. This dramatic event is considered as the end of the Dutch golden age.
Size image: 39 cm x 53 cm
Reproduction of a chromolithograph of Borobudur temple complex in Central Java, after J.C. Rappard from M.T.H. Perelaer’s Nederlandsch-Indie Java Door De Buitenbezittingen published in Leiden in 1883. The last quarter of the 19th century was a period when colour printing was becoming a mechanical process, and book illustration was becoming increasingly reliant on photomechanical methods of production. A work which provides striking evidence of these changes is W.A. van Rees and M.T.H. Perelaer’s Nederlandsch-Indie, which was first published in four folio volumes by A.W. Sijthoff, Leiden between 1881 and 1883, with 103 chromolithograph plates mounted on very heavy paper after drawings by Jhr. J.C. Rappard, who served as a military officer in Indonesia for thirty years between 1842 and 1872. What makes this otherwise undistinguished work one of interest in the history of Indonesian illustration is not so much that the plates reflect the insipid character of chromolithography of the period, but that they are after drawings executed not directly from nature in Indonesia, but in Leiden from photographs. From such an uninspiring source it is hardly surprising that the plates are dull and lifeless, typical of the photomechanical age of printing which was now beginning, and which eventually led to the photographer replacing both the artist and artist-engraver as the principal agent of book illustration.
Size image: 23 cm x 17 cm
size image: 19 cm x 26 cm
Reproduction of a very fine mid-19th century Dutch chromolithograph of the volcanoes, hills and countryside around Buitenzorg (Bogor) by Johan Grieve Jr. The print was published in a work entitled ‘Java. Naar Schilderijen en Teekeningen van A. Salm’ (Java. After Paintings and Drawings of A. Salm), in Amsterdam in 1872. Abraham Salm was a Dutch Surabaja based merchant and tobacco planter, who spent twenty-one years of his life in Indonesia.
size image: 24 cm x 32 cm
A fine reprint of the Greater Bird of Paradise by Eduard Travies, one of the greatest ornithological artists of the 19th century, published in his finest work ‘Les Oiseaux Les Plus Remarquables. ’The Great Bird of Paradise is the largest most spectacular member of a family of 40 species grouped under the name Paradiseidae.
size image: 51 cm x 38 cm